Showing posts with label awakening. Show all posts
Showing posts with label awakening. Show all posts

Tuesday, November 17, 2009

Why practice?

Why practice mindfulness? Why step, stride, stumble along this path marked out by Siddhārtha Gautama 2,500 years ago?

Different traditions seem to have different answers. Different individuals have different answers. Presumably, they are really all the same answer.

















Why practice?

  • To wake up. (I thought Suzuki Roshi might say this.)
  • To develop Compassion. (I thought the Dalai Lama might say this.)
  • To grasp ultimate reality. (Robert Thurman?)
  • To live with ease. (Sharon Salzberg?)
  • To become enlightened. (Whatever that means.)
  • To become lighter.
  • To be reborn in a happier form.
  • To cease to be reborn.
  • To suffer less from the slings and arrows of one's own arsenal.
  • To suffer less from slings and arrows period.
  • To be directed.
  • To be free.
  • To escape.
  • To return.
  • To crave less.
  • To crave but react less.
  • To relax.
  • To sleep better.
  • To sleep when one is asleep, to be awake when one is awake.
  • To become a buddha.
  • To be a buddha.
  • To become a bodhisatva.
  • To be a bodhisatva.

And why do I practice? All of the above.

But that answer is too easy. Sometimes I don't really know why I practice. But I think that Thay is on to something when he says, "Because I like it." Because it brings well-being. And that is the sum of the Buddha's way: if something increases well-being in you, keep doing it. If it increases ill-being in you, stop doing it (or at least do it less).

From a dharma talk given on June 11, 2009:



Why [do] you practice sitting meditation? The best answer is: Because I like it. Why do you practice walking meditation? Because I like it. . . . The practices of mindful walking, mindful breathing, smiling, bring well-being, happiness.
I like this. (Tee hee.) I guess in this instance, it is okay to have a preference. But this would be a deeply considered preference, not a conditioned preference. I guess.

Fodder for a future post ...


Wednesday, November 11, 2009

Discrimination: Sometimes You Gotta Choose

I want to enter a painting for the Brooklyn Botanic Garden Student/Teacher Art Exhibit. I can only enter one. I could choose something that I have already done, or I could enter something that I paint over the next week. The paintings can be quite large -- the only real limitation is the cost of backing, matting, and framing. (We are responsible for all of that, including meeting the Exhibit's requirements.)

Two paintings I'm considering are small enough to fit on my scanner, so I thought I would post them here, in the M & L Student/Teacher Art Exhibit. (I would love to enter both, as a unit that look very much like two paintings but are really just one painting, as Required.)





Sunday, November 8, 2009

Brush Sweeps Mind

In Chinese Brush Painting class, we always start with calligraphy, as is traditional. One practices the strokes in calligraphy, then applies them in painting.

Our teacher, Mr. Kwok Kay Choey, explains the composition and origin of the characters. Some are a teaching in themselves.

Awakening














The radical on the left means "heart/mind"; the character on the right means "my." Together, it means "awakening." If you know your own heart and mind, you have awakened.


Enlightenment














The top portion depicts reeds or branches and means "broom" or "sweep." In the middle, we see dust in a dustpan. At the bottom, "heart/mind." Your heart and mind swept clean of dust: that describes the state of enlightenment.

This reminds me always of a saying by Jakusho Kwong Roshi, a successor of Shunryu Suzuki Roshi: "breath sweeps mind." I have a CD set of talks by Jakusho Kwong which I am slowly making my way through. "Breath sweeps mind" is an often helpful gatha for me as I try to settle into meditation.


No Fear














I think of this concept now as "no more fear," because of Mr. Choey's explanation of the character. The top portion, "No," depicts a person carrying wood. All of the timber has been carried away from the hillside, there is "no more," it has been taken away. The bottom portion means "Fear": on the left, the heart/mind radical; on the left, the character for an owl with its two big eyes. I have to admit I'm not clear on this last part, so I will ask Mr. Choey for clarification and update this post later.